Al Museo del Novecento una mostra diffusa dedicata alla figura di Robert Rauschenberg.
Until June 29, 2025, the Museo del 900 in Piazza del Duomo 8 in Milan will host the exhibition with the connections, suggestions and visions between the works of Robert Rauschenberg and the masterpieces hosted in the Museo del 900.
The works of the American have been inserted one for each room in order to create a comparison, a connection, a dialogue between the works of this artist who is the central figure of the transition from modern to contemporary art with the artists belonging to the artistic movements of the Italian twentieth century, from Futurism to Arte Povera.
The exhibition begins in the Galleria del Futurismo where the works exalt dynamism, speed and therefore the automobiles that Rauschenberg echoes with a piece from the Gluts series in which the artist uses and recomposes car wrecks and residues of filling stations.
An exciting journey where the visitor is stimulated by the overlapping of visions, comparisons between the works, the experiments, the inventions of new languages that have revolutionized the conventions of painting and sculpture.
Text and photos Piero Biasion – pierobiasion@me.com
- Robert Rauschenberg – Bumper slip late summer Glut 1987
- Umberto Boccioni_- Human Body (Dynamism) 1913
- Giorgio Morandi – Stilllife with clockcase 1915
- Robert Rauscenberg – Able was / Ere / Saw Elba 1983
- Mario Sironi_The white horse 1919
- Marino Marini_Little Knight and Knight (study for knight)-1949-1951
- Giorgio de Chirico – The prodigal son 1922
- Arnaldo Pomodoro – Sphere n.r5 1971
- Robert Rauschenberg – Muse Poodle Roll (Phantom) 1991
- Piero Manzoni – Achrome 1962
- Fausto Melotti – Sculpture n.21. 1935
- Robert Rauschenberg – Summer Glue Fence 1987
- Maurizio Cattelan – Tiurists-1997
- Mario Merz – Zebra (and Fibonacci) 1973
- Robert Rauschenberg – Onoto Snare/ Roci Venezuela 1985
- Jannis Kounellis_- Untitled. 1988_
- Maurizio Cattelan_- Lullaby. 1994
- Luciano Fabro – Floor Tautology. 1967_
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